Torpey, Peter, Ben Bloomberg, Elena Jessop, and Akito van Troyer. “Fandom and Punchdrunk’s Sleep No More: Audience Ethnography of Immersive Dance.” TDR/The Drama Review, vol. “The Sleep No More Superfan, Explained: As the Immersive Play Hits 500 Shows, We Talk to Its Most Loyal and Biggest Fanatics.” 20 Aug. Bulman, Oxford, UK, Oxford University Press, 2017, pp. ‘It’s All a Bit of a Risk’: Reformulating ‘Liveness’ in Twenty-First-Century Performance of Shakespeare.” The Oxford Handbook of Shakespeare and Performance, edited by James C. Intimate Epic Macbeths in Contemporary Performance.” The Oxford Handbook of Shakespeare and Performance, edited by James C. “Immersion, ‘Smooth’ Spaces and Critical Voyeurism in the Work of Punchdrunk.” Studies in Theatre and Performance, vol. “Experience Economics: Immersion, Disposability, and Punchdrunk Theatre.” Contemporary Theatre Review, vol. Oxford, UK, Oxford University Press, 2018. Newman, Albert, Leon De Bruin, and Shaun Gallagher, editors. “Extended Cognition: Feedback Loops and Coupled Systems.” Inter-disciplinary Description of Complex Systems, vol. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. “How a British Theatre Company Found a Tribe of Superfans in China.” AnOther. The Routledge Companion to Theatre, Performance and Cognitive Science. It is primarily based on William Shakespeares Macbeth, with inspiration also taken from noir films (especially those of Alfred Hitchcock), as well as some reference to the 1697 Paisley witch trials. “Interview: ‘Playable Shows Are the Future’: What Punchdrunk Theatre Learned from Games.” The Guardian. Sleep No More is the New York City production of an immersive work of theatre created by the British theatre company Punchdrunk. Going Radical.” The Oxford Handbook of 4E Cognition, edited by Albert Newman, Leon De Bruin, and Shaun Gallagher, Oxford, UK, Oxford University Press, 2018, pp.
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PUNCHDRUNK SLEEP NO MORE NEW YORK FULL
This matches "The Sexy Brutale" uncannily well - the mansion with many rooms, the fact that the story loops and takes place throughout the building, the fact that the audience is free to follow whomever they like (and that several spectations may be necessary to understand the full story), even the details like the Venetian masks. The story loops three times per day and then comes to a finale. Spectators wear Venetian masks and the actors apparently do not react to them (apart from special occasions).
The audience is not seated, each spectator is free to move through the building, follow any actor, watch any scenes they encounter, or inspect any object (some of which help to understand the story). It takes place not on a stage, but in an entire building with many rooms. "Sleep No More" is an immersive theatrical experience that has run in various versions since 2003. After reading up on "Sleep No More", I really have to ask - was "The Sexy Brutale" inspired by this play?
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